It's 21 years old....

and it has served me well.  My Singer sewing machine.  I bought it at Sears in Rhode Island in my first and only semester of Apparel Design.  It has sewn circle skirts, finished costumes for a production of the musical "Oklahoma!" , upholstered my mom's lawn furniture, made pajama pants for my son which are now ridiculously too small, and was the way I first started making images again after my son was born.  When he was a year old and started day care, I finally got out that free-motion embroidery foot and figured out what it could do.  It has forgiven me for not oiling it enough, sewing difficult materials and hiding it away for far too long sometimes.  And now it will enjoy a bit of a vocational change.  

Again, because of my Minnesota State Arts grant, I was recently able to purchase a new Bernina 215 machine.  No fancy bells and whistles, and still a manual buttonholer, but it is a machine that will be strictly for fabric.  It is pretty, quiet and computerized.  My old singer, well, it is going to be for sewing everything else.  Leaves and twigs?  Let's see what it looks like.  All those empty paper flour and sugar bags and butter wrappers I've been hoarding...what would free motion embroidery do on those?  Paper and fabric together?  I'm curious.  I can't wait to experiment without the fear of trashing my only machine!  And I know I will always be able to find some little old man that has a talent for small machines and the ability to restore an old workhorse when it wears out.  .  

IMG_0260.JPG
IMG_0257.jpg

Buysomedamnart.com

Have you visited this site?  It is brilliant.  The work is varied, interesting and affordable.  Founder Kate Singleton curates contemporary artists into her online gallery, with a new artist exhibiting every Tuesday, and showing for six weeks.  I am excited to share that I will be exhibiting dolls in October.  I've got two new ones that I hope to include, and need to hustle to get the rest made.  Please check it out!  There are half a dozen things I would love to have on my walls, and a great Q&A with each artist about their process. I have discovered some amazing new talents on this sight, and can't wait to see what Kate will show next.  

 

It's a little like Christmas....

I've not been posting, but it is not that there is nothing going on.  Just travel, visits and family taking precedence.  In that time though, I have had the good fortune to spend some of my Minnesota State Arts Grant monies.  I've just barely gotten everything out of the box, and I have yet to figure out where to put it in my studio/dining room.   

I am the proud new owner of a Foredom Flex Shaft Drill.  With the help of a colleague, I first used his drill to make the hole in the back of my dolls, in which I inserted the sleeve.  It was a slick way to making their installation simple....all that needed to happen then was a hole in the wall, a rod inserted into the hole, and the doll and sleeve slid right over the rod.  Thank you so much Robert for teaching me this process!  I am always making these bodies with no idea how to have them live in the world.  

Drilling is all I have used it for.  But I'm excited to learn what else is possible.  There are all sorts of other tools i'm looking forward to exploring...sanding, grinding, polishing.  It's the beginning of my "manipulating a surface" education.  The four dolls I have going now will all be finished with this tool in my studio. Now I have to order a saw for cutting the carbon rod.  

IMG_0258.jpg
IMG_0252.JPG

Have you seen....

the paper collages of mixed media artist, Mary Delany?  Neither had I.  My dearest friend recently showed me a book on amazon.com featuring her work.   The Paper Garden: An Artist Begin's Her LIfe Work at 72,  by Molly Peacock, and it is unbelievable.  After the death of her second husband, in 1772, Mary began creating botanical multi-media collages.  She created nearly a thousand in the next decade before her eyesight failed her.  The illustrations are so intricate and lovely, they will take your breath away.  I've only had the opportunity to look through the digital images online, but the book is going on my  birthday wish list.  I hope you will enjoy her discovery as much as I did.   

New friends....

were completed and given to my girlfriend for her 41st birthday.  I made some slight variations in bead colors, a skipped monocle for Mr. Vampire (didn't have the right size) and some extra stitching in the wings.  I think next time I might embroider the vampire teeth so they are a little sharper.  She is going to add magnets so they can guard the fridge door.  Would you try to sneak in if they were there looking at you?

IMG_0237.jpg

Crafting Zombies....

That is what I have been working on since my dress.  There is an important birthday coming up, and miniature zombie dolls are the perfect gift.  I am using patterns from the book, Zombie Felties by Nicola Tedman and Sarah Skeate.  I made the Classic Zombie and Dead Ducky for friends at Christmas...every time my son saw me with the book he begged me to stop. He is not a fan of the ironic zombie nor pleased by this current round of making.  I am again going with the Classic Zombie, but also trying the Vampire Zombie.  See the pieces below.  They really develop personalities with the beads and embroidery finishing.  I will post again when I get them done.  After that, the Thrilla Michael Jackson Zombie is next on my list.  

IMG_0221.jpg

Did you ever have a teacher...

that changed the nature of who you are?  Or more specifically, help you see your truer self?  i did.  It was over twenty years ago and i was a freshman at RISD.  It was the spring semester and it was 2-d design.  My professor was Lee Dejasu.  I had heard stories about how amazing his class was, and there were students trying to transfer sections so they could have a class with him.  I had no idea what i was in for.  I thought 2-d design was 2-d design.  Not with Lee.  2-d design was everything.  It was the vehicle through which Lee taught us to trust our voice.  He had this amazing way of shining a light on what was true for you, and helping you to realize just that.  Anything was possible.  Anything was art.  It was one of the few times in my life where i did not worry about an outcome.  Success or failure was beside the point.  The gift was not of just seeing what is true, but trusting what is true, and it was a profound experience I  have been thankful for all these years later.  I've kept in touch with Lee over the years...a card for my MFA show, a letter about a new job, or a move and the birth of my son.  I sent him an announcement for my exhibition last month.   Then I took a friend to see the exhibition and found the art center had received a letter for me.  From Lee.  It was full of that light.  He still has the gift of finding the pulse of what's true.  But there was also another gift in his words...his voice.  Words about the images he is making, the things he is teaching, the things he is learning about art, life, family, children.  And i am thankful that i still have much to learn, and that he has been willing to continue to teach me.