I just finished my sloth. He is one of my favorites. I had a hard time sewing in the limbs...so I might have to go back and rework the connections after my exhibition in June. I've got nine more to put together and lots of little fixes to make. But I am getting close.
I have not posted...or exercised...or read the New Yorker...or vacuumed...and I only cleaned the bathroom when it was too gross not to. This is what I have been doing:
It is a horrible iPhone photo, in a dark house and there is no where for me to lay the whole thing. But it is 12 feet long. And painted. And nearly stitched. I still have one last thread mass to sew on at the top right. But I can see the end.
Another terrible image, but still. Each of the thread masses are between 8 and 13 inches. I think there are twelve masses. Now I am on to this:
I have four different hand gestures and five of each hand. They are plaster and painted with an acrylic wash and then I add the pattern paper on top. I won't be painting the paper...but I will be covering portions of the fingers and hands with masses of hooks and eyes. You can see a couple at the finger and thumb ends. When the hands are finally installed, there will be thread masses stitched between the hands. There is still so much to do in two weeks, but I am beginning to feel like I can pull it off.
opened at the Chesapeake Gallery at Harford Community College on June 5, 2014. I was out in Bel Air the week before finishing up new work, installing the show and visiting with my dear friend Jeff Ball. Jeff is the art historian at the college and curates one exhibition a year for the gallery. This year he was kind enough to ask me. The exhibition includes nine dolls and three new two-dimensional pieces. I worked right up until the last minute, but it was worth it. I'm really pleased with how it all came together. Remember this?
I just finished a new piece and I am so excited about the possibilities for this.
I've been ready to stitch, and have even readied some fabric, but been overwhelmed by the white of the muslin. So I wondered what would happen if I prepared the pattern paper I use on my dolls in the same way I prepare fabric to embroider. I backed the paper with fusible interfacing and layered more paper with Wonder Under. (It is heat activated double sided tape basically, and so easy to use.) The patter paper was then much more fabric like, and I painted it like my dolls. I started sewing tiny eyes (of hooks and eyes, the closures on garments) on in rows, thinking I might make larger numbers. I didn't like the regularity of the rows, so I gave in and started to stitch them in randomly. I knew I wanted long stitches to pull at they eyes, so that was my next step. Then I played with layering color in the stitches. I did not use anything to stretch the paper as I stitched, so it has pulls that make the outside edges irregular. This is about 10x10 inches from edge to edge. I'm not sure about installation just yet, but here I used long embroidery needles in the top corners and then pulled the piece away from the wall.
And a detail. I love how it's weirdly scabby. The exhibition I have scheduled in June at Harford Community College is titled "Ligature" and I think developing more of these will work for that. A friend suggested large panels that one could walk through....I've got five dolls going I need to finish and then I will be ready to start. It has been a million years since I have done anything big!